Call her not wicked, that word’s touch consumes her like a curse, but love her not too much, too much, for that is even worse. Oh she was neither good nor bad, but innocent and wild. Enshrine her and she dies, who had a hard heart of a child.
Notable work of French poetic realism from the 1930s. Loved the use of windows and mirrors. The contrast between roughness and softness. Many symbolic elements. Famous realistic set of the town - irony of Francois achieving his great fame as a “criminal.” Social commentary through tear gas. Loved the ending with alarm going off as a time indicator.
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